The landscape around Moritzburg (it’s not far from Dresden) never gets boring, neither does the view of the namesake castle.
It’s quite fascinating, even when there doesn’t seem to be hardly any color left on a trist and foggy winter morning, nature still preserves little specks of color that catch our attention. Add a little bokeh and if you are lucky sometimes nature photography can look like a painting.
I can hardly remember a time where we used to have a sustained snow cover over at least a couple of days. Even temperatures below zero degrees Celsius seem to become scarcer and scarcer. Not that I’m a huge fan of winter, let alone winter sports, but the sight of a snow covered cityscape or landscape can warm you heart. OK, I hear the irony in that.
When I was visiting friends between Christmas and New Year – or as we Germans tend to say “zwischen den Jahren” (as in “between the years”) – we, as a matter of tradition, went on a little hike around a sort of lake (which in reality is just a bit of a bulge of the river Isar near Mammingen).
It was pretty cold, but there was not a hint of snow. Now, I wouldn’t even expect the fake lake to be frozen over but some hint of winter would have been nice. In particular for taking photos and trying to capture a “winter scene”. But as of late that seems to be almost an impossible undertaking.
For the time being, the images below will have to do as “winter pictures”.
All pictures taken with a Leica SL and a Leica Summilux-M 50mm f/1.4 ASPH.
Going on a hike on a public holiday when autumn is showing off its best side on a bright and sunny October day is already very rewarding. Bringing back home some images that make you relive the day is yet quite another.
All pictures taken with a Leica SL and a Leica Summilux-M f/1.4 50mm ASPH.
To me, shooting with a Leica M is already the essence of photography because it reduces the influence of technology to a bare minimum – even when shooting digitally. Shooting with film Leicas takes this experience even up a notch. As such, from time to time I like to fall back to my Leica MP, load it with film and let me surprise when I get the film back from development. Also, the post editing process is a lot more straight forward, there is no need for fancy filters or any other extensive retouching. The analogue film look in itself is the best Instagram filter anyone could hope for.
This time I loaded up my MP with a roll of Lomography XPro 200 and had it cross-developed. The subject of my taking photos was right around the corner of where I live – in the midst of vineyards. And I think the greenish tint and the very strong blue colors of the cross-developed Lomo helped the subject in this case.
Would you agree?
As I mentioned in my post earlier this week I’m no expert in long-time exposures. But taking photos of the lunar eclipse was a bit of a tedious exercise for my having to impatiently wait until the moon was in a position to be remotely photogenic. So what better can you do than to look around and take photographs of everything there is. Admittedly that’s not a lot at 10PM in the middle of a vineyard. But luckily there is a restaurant nestled on top of the vineyard that is beautifully lit at night.
I’m not an expert in long-time exposures by a long shot, but the once-in-a-lifetime opportunity to see a total lunar eclipse plus Mars being the closest to Earth, a combination apparently happening again in 105 000 years, I couldn’t resist tempting my fate. The conditions weren’t ideal, because it was a bit hazy shortly after moon rise, but later on when the moon would enter the Earth’s umbra, visibility became a lot better.
What I learnt later when editing the photos was that any exposure above 10 seconds would make the moon blurry, because, of course, the moon moves quite fast, so 10 seconds can already be too long.
The shot I selected was taken at 8 seconds, aperture of f/4 and ISO 50.
Admittedly, the Lux-50 is probably not the best lens to take shots of a small an object as the moon, so my expectations were quite low. That said, I think capturing the wider viewpoint, basically the way any observer would see it with the naked eye, has its own fascination.
This image was taken at 2220 CEST at the time of the maximum eclipse. Below the moon and a bit to the right you can see Mars as close as 57.6 million kilometers. The average distance is 228 million kilometers.
(Make sure you click on the image below to see the full res version.)
Went a bit overboard with the post processing with this image. But sort of liked the punch in this case. Incredible also how well the Leica SL is rendering in Black & White conversions.