The Leica SL – A Quick Test

Leica SL Typ 601 | Leica Vario Elmarit SL 2.8-4/24-90mm ASPH. | ISO 50 | 1/60s | f/4

Leica SL Typ 601 | Leica Vario Elmarit SL 2.8-4/24-90mm ASPH. | ISO 50 | 1/60s | f/4 (click to see the full-res version, edited in Lightroom and Color Efex Pro)

The Leica Store Berlin is currently offering a free-of-charge test of their Leica SL camera. Smart people, they are, at Leica. They know exactly what will happen to people who put their hands on an SL: “It’s a trap!” you want to scream out loud. And of course, I went straight into it, got me an SL for three days to thoroughly and objectively test it, and here I am, completely sold on it.

When I picked up the camera yesterday, the weather forecast was anything but ideal. It was raining, windy, no sunshine whatsoever and everything was grey, no light, no shadows. But I thought, if the camera is able to cope with these conditions, it will probably excel in any other.

I was really skeptical at first. The SL isn’t the first new camera I tested, so I wasn’t expecting any leaps in terms of image quality over the DSLRs I currently own (Nikon D800, D700) or my Leica M Monochrom. The latter in particular, because the M lenses have this very unique rendering that is probably very hard to top. All in all I was expecting a somewhat better performance, noticeable, but worth the hefty price tag?

Included in the test kit was also the new Vario Elmarit SL 2,8-4/24-90mm ASPH. and in particular for this lens I was extremely skeptical. Its sheer weight and size and the fact that it is a zoom lens, to me, this is really a hard sell. I could just keep my Nikon gear if I wanted to keep schlepping a ton of lenses around.

But let’s cut to the chase, here is the verdict in terms of image quality: With my M lenses (Summilux 50mm and Summicron 35mm) the image quality of the SL is simply stunning. The color rendition, the bokeh, micro contrast, sharpness overall and just the way it renders the image left me speechless. When compared to the images of my D800 with excellent prime lenses (like the 1.4/85mm) the Leica SL is miles ahead. And the D800 is probably still one of the best DSLRs in that segment.

I can’t really compare the SL to any other digital M other than my M Monochrom. And these are two completely different approaches to photography. What I did though was a very quick comparison of how monochrome images out of the SL would compare to those from the M Monochrom. And here the M Monochrom takes a slight, but noticeable win home. That said, I didn’t really apply any extensive conversion to the SL images, so I’m sure if done right, you can get close to the image quality of the M Monochrom.

But what about the Vario Elmarit? Well, here I’m a bit uncertain, still. The image quality is not on par with the Leica M prime lenses. The differences are subtle but distinctive. In particular micro contrast and bokeh. Also, the overall look of the M lenses is more pleasing. On the pro side the Vario Elmarit is extremely versatile, because it’s a zoom lens. On my small hike to the Schloss Moritzburg (see picture above) through pretty heavy rain, I only took the Vario lens, because I didn’t want to change lenses while the rain was pouring down. With just one prime lens I probably would have missed a couple shots. Also, the autofocus is excellent and of course makes shooting a lot easier. Which in turn is a bit of a deviation from the way I use to photograph with the M Monochrom. With the Monochrom it just takes much more time for composition. With the SL and the Vario zoom it’s more a DSLR “shoot and forget” experience. Not so sure I like that :).

And of course apart from the image quality the usability of the SL is just outstanding. Autofocus is just one example, but the Eye-Res viewfinder is a pleasure to work with. The ability to “WYSIWYG” is a real benefit. Also, the 4k video mode is in a completely different league compared to what I’m used to from my Nikon D800.

So, with all that said, the odds of me parting with my DSLR equipment and changing over to the SL (with or without the Vario Elmarit) are not exactly slim :). In the end my blog may become a bit more colorful again :).

Santa Monica

Leica MP | Leica Summicron-M 35mm f/2 ASPH. | Lomo X200

Leica M Monochrom (Typ 246) | Leica Summilux-M 50mm f/1.4 ASPH. | f/4 | 1/750s | ISO 320

Leica M Monochrom (Typ 246) | Leica Summilux-M 50mm f/1.4 ASPH. | f/4 | 1/750s | ISO 320

Hollywood Bowl Overlook

One of the things I had to do on my first day in LA was driving up on Mulholland Drive to the Hollywood Bowl Overlook. I’m not a big fan of these landscape photographs where you see everything and nothing, but I guess with that gorgeous view you just have to do it.

Note to my photographer followers: I used the de-haze feature in Lightroom pretty much for the first time and am fairly pleased with the results.

Leica M Monochrom (Typ 246) | Leica Summicron-M 35mm f/2 ASPH. | f/5.6 | 1/350s | ISO 320

L2460312-SFXPro

Leica M Monochrom (Typ 246) | Leica Summicron-M 35mm f/2 ASPH. | f/5.6 | 1/350s | ISO 320

Walk of Fame

Being a tourist you also have to do the touristy stuff at some point right? Naturally, on my first night in LA I had to do the Walk of Fame. After dinner at “The Hungry Cat” (consequently they served primarily fish and seafood) I strolled down Hollywood Blvd. from Vine St. to La Brea Ave. Was a quick walk. It’s one of those “Seen it, done it” checkmark items. It was really difficult to see the interesting things among a gazillion tourists. One of which was this sculptor.

Leica M Monochrom | Leica Summicron-M f/2 ASPH. | 1/30s | f/2 | ISO 320

Leica M Monochrom | Leica Summicron-M f/2 ASPH. | 1/30s | f/2 | ISO 320

Arts and Mammoths

Next stop: Los Angeles. Fortunately a friend of mine lives in LA. So I got a plethora of great tips what to see and where to go. If I had done everything he recommended I would probably still be there.

On my first day in LA I arrived only in the afternoon, so there wasn’t too much time left in daylight. One of the things I was able to check off my list though was the “Le Brea Tar Pits” – basically a hole filled with natural asphalt and an exhibition with fossils of primal lifeforms like mammoths and saber-toothed cats (German: Säbelzahntiger) attached to it. Directly adjacent to the pits is the Los Angeles County Museum of Art (LACMA). I didn’t go into the museum itself, but I thought the architecture was fascinating. If you have more time to spend in LA it’s probably worth doing a tour in the actual museum though.