Normally, I only cherry-pick the images I post on this blog, because this is not a travel blog, but rather about photography itself. However, when I went through the pictures I took last year in Los Angeles, in particular the ones I had taken with the Leica MP and a roll of Kodak Portra 160, I thought although they will never win a price, they are still a good reflection of what LA feels like. So here you have it.
All images are untouched (only one is leveled, because as usual I couldn’t hold my camera straight :)).
The Dresdeners among us know the guy on the left by heart. He is standing in the middle of the busiest pedestrian street in Dresden every day and is promoting his “movement” or “party” or simply his views of life. He seems to be a very smart person, very kind and – I believe – just loves to talk to people. He is not bothering anyone, but whoever he catches he can talk to forever. So beware, you have been warned :).
Taking photographs can be very rewarding. Taking photographs of people can be even more rewarding. But usually you know nothing about the people who you photograph on the street. They are just passers-by. In a best case scenario they are a collection of well exposed and hopefully equally well composed pixels on your camera sensor or film.
The icing on the cake, however, is when you get to know your photographic subject at least a teeny bit and scratch the surface of his or her thoughts and ideas. In a crowded pedestrian street in the middle of the city where everybody is rushing from shop to shop or appointment to appointment that seems highly unlikely to ever happen. And yet, sometimes, fortune is with you. As it was with me today. I was just strolling through the streets trying to kill some time until my next appointment, the weather was extremely nice, although very cold, but the sun had this very winterly glow with harsh shadows and crisp air. So I thought I take my camera out and just try my luck.
And then I saw this guy in my picture leaning against this city-light ad thingie. I was only pointing the camera at him and not even taking a picture yet, and he began speaking to me. So I approached him, and of course the very first question was what I was taking the photographs for. So we engaged in a very nice conversation about my blog, what he does for a living etc. etc. etc. And this, really, is what makes photography such a pleasure. Without my camera I would have never spoken to him, never heard his story, would have never been able to grasp what was on his mind.
After five minutes of conversing he agreed that I may take some photos of him. And he was a natural. No stupid posing, no looking into the camera. Just a very relaxed pose, as if I would not even be there. Perfection.
At the end of the day, a nice photograph can be something beautiful to look at. But sometimes the story behind these photographs can be much more interesting than the surface of what you are looking at – more than a collection of pixels and electric current.
I was always a bit skeptical about using Lightroom Mobile. I couldn’t quite fathom how a mobile application could deliver results that could stand up to what I can achieve with a full blown desktop application on my computer. Until recently I hadn’t even touched Lightroom Mobile although it’s included in my subscription. I just couldn’t be bothered.
But since I got my Leica SL that changed. Because with the SL comes a very nifty mobile application “Leica SL” which (among many other useful things) lets you sync your images via WiFi to your tablet or mobile phone. When you are on the road this is an incredible advantage that I had ocassionally missed on my DSLRs but also on the M Monochrom. Sometimes you just want to immediately share what you encounter during your travel. For Instagram, that’s a huge plus – it’s called “Insta” for a reason :).
Once you have the image on your tablet, it’s easy to load it into Lightroom Mobile and start editing it. And – at least to me skeptic – it was quite an eye opener how powerful that small mobile app is. You can use the vast majority of the functions that you are used to on the full-blown desktop application. With one incredible advantage – the touch screen lets you very easily zoom, apply and change radial filters and adjust curves. On a desktop you would need a graphic tablet to accomplish the same.
Of course the smaller screen is a drawback, and you can only work on the JPEGs, not the raw files (at least I haven’t figured out yet how to do that). But I can certainly live with that, since the primary purpose is to quickly edit an image for sharing on social media channels rather than the big screen or even a print. Another plus is that the edits you make are transferred into the desktop version of Lightroom once you are at your computer and load the images into Lightroom. So you can continue to adjust where you left it off and even go back in your editing and undo adjustments you had made on your tablet.
So here you go. The picture below of the altar at the Kölner Dom was taken with the SL and then edited during my waiting time at the Cologne/Bonn airport so I could share it on Instagram. No further editing in the desktop Lightroom version was done. Enjoy and let me know what you think. Oh and of course, feel free to follow me on Instagram :) (https://www.instagram.com/monokuro2k/)
Normally I’m not very fond of the sort of dreamy images with glow and glare which are a bit reminiscent of wedding photography or equally romantic genres. But in this case I thought, why not. This castle has probably been photographed so many times from so many different angles and perspectives that a pinch of tackiness (if that’s a word) can’t hurt :).